Journey to Simplicity: Evolution and Rebirth in Photography
Ever experienced that peculiar mix of accomplishment and embarrassment when you realize your current progress makes your previous efforts seem inadequate? I'm currently in the midst of such a phase, and here's why.
Reflecting on the past decade, I've been immersed in capturing photos – for myself, clients, and events. This journey has been an incredible ride, filled with valuable lessons. Yet, as learning often goes, the more I explored, the deeper the rabbit holes of specialization I went down. Editing nuances, organizational strategies, the intricacies of color theory, the dynamics of composition, studying the masters, chasing the elusive "film-like look," debating the virtues of JPEG versus RAW, and the list goes on. Over time, I gained a comprehensive perspective and a certain level of mastery, but in retrospect, it's tough to discern a consistent voice, theme, or style. It's been an evolving canvas; cohesion has been a challenge.
Fast forward a few months ago – my frustration reached a boiling point. My perpetual quest has been to synthesize and refine my acquired skills, aiming for mastery. Yet, I found myself surrounded by a flurry of concepts that refused to coalesce seamlessly. As I said, it was frustrating.
How could I streamline my workflow? Enhance my mastery of composition? Seamlessly infuse color theory into my work? Minimize post-production by refining in-camera choices? Cultivate the confidence to abandon the RAW safety net in favor of JPEG?
And so, the snowball started rolling.
During a captivating trip to Iceland, I made a bold choice – shoot exclusively in JPEG. This decision compelled me to focus intently on my in-camera decisions, consciously curtailing post-production interventions. This shift was nerve-wracking yet unexpectedly liberating. It offered answers to some of my pressing questions:
Color Theory, to a certain extent, was dictated by the Fuji Film Simulation I selected during shooting, coupled with deliberate White Balance adjustments.
In post-processing, I found myself honing my edits to complement my in-camera selections, forsaking the wide-ranging possibilities that RAW provides.
Puffin or:
How I learned to Stop Worrying and Love the JPEG
Coincidentally, my MacBook Pro was grappling with it's storage space. This spurred me to confront a task that had been looming – evaluating my decade's worth of photos, redefining their ratings and filters, and overhauling my organization system. This overhaul felt long overdue, as if each new addition was piling on top of a foundation that had grown obsolete.
Simplicity became my guiding principle:
I devised a new categorization for my photos: "REJECTED" (for deletion), "PICKS" (flagged in Lightroom), and "SELECTS" (given a 5-star rating in Lightroom).
The remaining trove of photos, with sentimental value but not destined for the spotlight, I deemed "UNPICKED."
I put this method to the test, meticulously categorizing a decade's worth of images:
Reject or Pick.
Review Picks for Selects.
Delete Rejects.
Move forward.
This process bore out – all my photos were now effectively labeled as unpicked, pick, or select, facilitating the creation of Smart Collections based on this data. For instance, an "All Picks" Collection consolidated flagged images from various years, streamlining my culling process and making it so much easier to find what I need.
So, let's circle back for a moment. At this juncture, I had refined my approach to fieldwork, addressing concerns regarding color theory, composition, and the art of restraint for superior visual outcomes. Simultaneously, my photo library boasted greater coherence, navigability, and searchability. The remaining task was to bridge these two spheres.
Drawing inspiration from these dual threads, I reconfigured the organization of my library to align with my editing process. All presets were relocated to an Archive folder, leaving room for two preferred looks: "Signature Color" and "Signature Monochrome." These presets became my exclusive toolkit for a period, forming the basis for every image imported into Lightroom. Further adjustments were confined to localized enhancements. This emphasis on simplicity reinforced its significance.
If you've stayed with me thus far, we now possess:
Refined Shooting (informed in-camera choices)
Streamlined and Enhanced Organization (enhanced ratings, expulsion of rejects, effortless retrieval)
Distinctive Style (2 presets, bolstered by localized edits)
The final lingering question pertains to compositional improvement.
The solution is the same it always has been: practice. Mastery requires time, effort, and practice. By discarding the baggage accumulated over a decade, I feel unburdened and reinvigorated to rediscover my initial passion: crafting captivating compositions.
Months of deconstruction and reconstruction have led me here – a juncture where these ideas coalesce into a cohesive structure. I stand on the brink of inaugurating a new decade. Admittedly, reflecting on the past ten years exposes the stages of growth, learning, and missteps. It's humbling. However, there's no express route to mastery, and my commitment remains steadfast, reenergized, and unwavering.
Epilogue :)
Will I continue shooting RAW? Likely for client assignments. Yet, I'm inclined to explore the interplay between JPEG and RAW, testing their outcomes. Given the nature of my commissioned work, I doubt anyone would discern or mind the distinction, as long as the end result is impeccable. My confidence in this approach, particularly in the domain of JPEG, is steadily soaring.
Are you interested in learning more about any of these topics? Let me know in the comments
A few JPEGs from Iceland (more to come soon)
Another year around the sun...
A birthday has come, a birthday has gone. With it, as usual, emerges ideas for improvement, challenge, and (hopefully) growth. Among this year's goals, I am attempting to spark some creative joy back into my photography by attempting, once again, a 365 day project. This is largely born from a long-term feeling of stagnation and boredom. I could blame it on COVID sucking the life out of me, but the truth is that I feel the old processes are failing me. Where I once found play, there is work.
So, what do I hope will spark some change? Frankly, limitation. I intend to limit my creativity to shooting at least one photo per day for 365 days and that photo has to be a JPEG. This will hopefully do a few things:
Limit my ability to correct in post
Force me to be more considered in-camera
Hopefully limit my need for post
Help me to shoot more and edit less (I got into photography to observe and capture the world around me, not sit at a computer more)
The last successful 365 day project I completed was nearly 10 years ago now, but I do attribute that experience with such a dramatic sense of growth. Here is to hoping that this year will see something similar!
As always, these images will be posted here and on Instagram. Cheers to another year of growth, learning, and adventure!
A few photos from the weekend
Capturing the Spirit of the Gorges Ithaca Half Marathon: A Race Photography Reflection
I was delighted to be invited by Ron @ GF Media to photograph this year's Gorges Ithaca Half Marathon. It had been a while since I had captured a race, and although I was confident in my abilities, I couldn't help but feel a bit unsure about the quality of my work. Race photography requires a different skill set than taking portraits or shooting for oneself, as you have to set up and compose your shot quickly before the runners pass by.
Despite my worries, I woke up early and traveled to Ithaca to meet Ron, as we have done many times before. We had a general idea of where we wanted to shoot, and we trusted each other's skills. My aim was to capture images that made the runners feel proud and accomplished - something they could look at and think, "I kick ass."
During the day, I reflected on our philosophy and realized that Ron and I share the belief that our goal for the day is to bring positivity and joy to people's lives. We know that the races we photograph are challenging, and we want to celebrate the efforts of every participant - from the first to the last. We could easily set up a camera and take unedited shots, but that's not our style. We believe that we can do so much more by capturing and honoring their achievements.
One of the things that struck me the most was the sheer determination on the runners' faces. Some were gritting their teeth, some were smiling through the pain, and some were just looking absolutely exhausted. But every single one of them was pushing themselves forward, step by step, mile by mile. And as I captured those moments on camera, I realized that this is what it's all about - not just the final outcome, but the journey to get there.
As the day drew to a close and the runners crossed the finish line one by one, I felt a sense of accomplishment wash over me. Yes, I had captured some incredible photographs, but more than that, I had been a part of something truly special. I had seen people push themselves farther than they ever thought possible, and I had been there to capture those moments of triumph. And when I looked back at my photos, I knew that each one of them represented a story - a story of hard work, determination, and an unyielding spirit. And that, perhaps, is the true spirit of the Gorges Ithaca Half Marathon.
Here is a collection of some of my favorites. I'd love to know what you think.
Full Collection Here: Gorges Half Marathon | RNR - 2023 by Ron Heerkens Jr / Goat Factory Media Entertainment
Let's call it a photo dump
Been trying out a few new things. While not cohesive, here are some results.
Emergence
Spring is…trying to emerge…and so am I.
As winter has been trying to thaw, I’ve been trying to be a bit more intentional about picking up a camera. Lately, that looks like going for a quick walk with our dog, Copper. He and I will just head out, me with camera in hand. The intention is to practice more thoughtful observation while taking photos…or not. To reignite spontaneity and why I love photography in the first place.
Here are a few captures from the past week or so. How are you emerging from winter?
X-T5 // 100-400mm
Views from the Window
I'm sitting here today thinking back on the breathtaking views on my flight to Alaska last August, which left a lasting impression on me. The rugged and varied landscape seemed untouched by human interference, creating a sense of awe and wonder within me. Even now, I am left with a feeling of emptiness and epicness when I think back on those views.
As the plane flew over endless plains, jagged mountains, and winding rivers, I couldn't help but get lost in the beauty of it all. The colors were so vibrant and the textures so rich that I felt as though I was a spectator to a spectacular show.
But as much as I marveled at the landscape, I also couldn't help but feel a pang of sadness. It was a reminder of how much we take for granted in our everyday lives, and how much we have destroyed in the name of progress. Yet, there was still hope. From above, I could see the pristine parks and conservation areas that have been put in place to protect the world from us. But it was clear that there is still so much more we can do to preserve the planet we call home.
As I continued to gaze out the window, my mind was filled with thoughts and emotions that I can't quite put into words. But one thing was for sure, the views from that window seat will stay with me for a lifetime. They were a reminder of the power and majesty of nature, and the importance of doing everything we can to protect it.
What do you think?
FUJI X-T3 // 16-55mm f/2.8 from 30,000 feet :D
Unreal.
Basilique Notre Dame de Montreal
A quick post with a few photos of Basilique Notre Dame de Montreal from our visit in October 2022. If you get the chance to visit, this is a must-see.
FUJIFILM X-T3 & 16-55mm f/2.8
Montreal Botanical Gardens
It's hard to describe how beautiful the Montreal Botanical Gardens are.
In the heart of Montreal, these gardens provide a lush oasis of beauty and tranquility and as you wander through the park, you will be greeted by a wide variety of exotic and colourful flowers. The greenhouses boast a number of different plants from all around the world, including cacti, orchids, bonsai and tropical foliage. The outdoor gardens feature different kinds of trees, shrubs and plants, which are arranged in a european-style walking garden. There are also sculpture gardens and a Chinese and Japanese garden, making the park a multisensory experience. You can explore the gardens at your own pace, walking, biking or riding the historic steam train. Our visit to the Montreal Botanical Gardens was an unforgettable experience.
FUJI X-T3 & 16-55mm f/2.8
COLORFUL Details
Next Up: Notre-Dame Basilica
Montreal: Old Town
You ever find yourself in a place where you have too much to share, so you end up not sharing anything? That's me right now.
Gotta start somewhere though, so here goes: Montreal.
Back on October we decided to take a quick weekend away and head to Montreal’s Old Town. If you have never been, the Old Town is truly a sight to behold. From the cobblestone streets to the centuries-old architecture, the energy of the area is uniquely European. You can step into a cafe, taste the pastries and feel the warmth of the fireplace. Wander through the small alleyways and discover hidden gems. Everywhere you turn you will find something unique and captivating. Walking through the narrow streets, you can feel the history of the area and the sense of community that exists there. It's a vibrant and lively neighborhood that invites you to explore and get lost. Every corner you turn will bring you exciting new surprises. Montreal's Old Town is an wonderful experience that will leave you wanting to come back again and again. I know I do!
Next up: Montreal Botanical Gardens
OCTOBER 2022 // FUJI X-T3 & 35mm f/1.4
Exploring New Horizons: Previewing My Travels and Photographic Projects
It has been relatively quiet here lately, but I have been quite occupied with my travels these past few months! I have been all around the world, from Alaska to Switzerland, capturing and processing pictures at each destination. I am getting very close to the end of a few of my projects and I am now prepared to share more than just Instagram posts, so this post will provide a brief glimpse of the content you can expect to see in the weeks and months ahead. I am also making strides to streamline my workflow, with the help of Craft AI, a rekindled interest in Lightroom Classic, and my new Macbook Pro.
I plan to start with some of my favorite subjects, such as landscapes and portraiture. I will also be sharing some of my other random photography, as I love capturing the energy of the people I meet and the places I visit.
I'm looking forward to this next set of adventures, and I hope you all enjoy them as much as I will! Be sure to stay tuned for upcoming posts about my travels and photographic projects. Until then, happy shooting!
Fujifilm X-T5
It has been a few years since I bought a new camera body. There have been a few that I considered picking up out of pure interest - X100V & X-Pro 3 are always tempting me - but I haven’t felt compelled to upgrade. This feeling is in large part because while gear does matter, I firmly believe that it doesn’t usually matter all that much when balanced against foundational skills. I think of it like buying a new stove in the hope of becoming a better chef. While the stove may offer new features, if you are a good cook you will remain a good cook. Stoves, like cameras, are tools to create and they generally improve incrementally.
For example, the Fuji X-T3 that I have is still more than adequate to get me through trips to Alaska, Europe, and all over the continental US. It has rarely failed me. Like the X-T1 before it, I am sure that it will continue to see use. They both are fantastic tools to create wonderful photos. But, there does come a time when the simple interest in new kit is met with a really compelling cost/benefit analysis. Enter the X-T5.
I won’t bore you with all of the specs, you can see them here, but suffice it to say that when the opportunity to upgrade from a 26mp to 40mp sensor with in-body image stabilization (IBIS) arose, I jumped at the opportunity. That’s not to say that extra megapixels are critical, they are not, but as I have been printing more often, the extra real estate does come in handy.
What has become incredibly useful, however, has been IBIS. The ability to stabilize older lenses like the 35mm f/1.4 and shoot in ultra-low light without compromising ISO performance has re-invigorated that lens…and the 35mm f/1.4 doesn’t even benefit from all of the features! Hand-holding the 100-400mm in similar conditions has also seen similar benefits. I am so excited to see what new and interesting conditions I can play in and that is what it is all about.
Ultimately, I skipped over the X-T4 because I didn’t see enough value in the cost analysis. This camera, however, allows me to take the skills that I have honed over the past decade(s) and tightens up it’s performance to match my artistic vision more effectively. Let’s play.
Product Shots: Fuji X-T3 w/50-140mm — Demo Shots: Fuji X-T5 w/35mm & 50-140mm
Night City
I’ve really been enjoying night photography lately. Here are a few shots from the past week.
FUJI X-T3 // 100-400mm
Oh, Happy Day!
After a few years of COVID, I was so thankful to have a great reason to get together with extended family! Wouldn’t have missed this wedding for anything. Congrats Brandon & Gabrielle!
FUJI X-T3 // 35MM f/1.4
Eclipse & Cityscapes
A few shots from Tuesday night’s eclipse. Fortunate to get the opportunity to shoot from the top of the Metropolitan building (thanks Ralph Dandrea for making it happen!) More to come!
FUJI X-T3 // 100-400mm & 35mm
Nearly a year later...
Is this thing on? I’m back and just got done shooting photos for The Travis Prinzi Band.
While I’m at it, I’ve been feeling the urge to find another way to share photos, etc. that is not building Meta’s platform or contributing to the Elon Musk Twitter hellscape. So, here we are :)
Hopefully I can keep some momentum going because I have a TON of photos queued up (Montreal, Alaska, etc.) I hope you enjoy and please feel free to contact me with any thoughts or suggestions.
M
W09: Quick hits from the past week
I haven’t really felt like engaging on social media lately, but I am definitely still out there shooting. Here is a batch from the past week. Mostly random and autumnal.
Otherwise, I did finally get around to purchasing a great photo printer. I’m not sure why I waited so long to get one because it has been by far the best photographic purchase that I’ve made in a while. I plan on writing a post here about it sometime soon.
Oh, I’ve also been switching my note-taking workflow to Notion. As a person who is constantly on the lookout for better ways to organize my life, Notion has been a delightfully fresh application. I recommend checking it out.
W08: Another World
My headspace is a bit off lately. Over the past two weeks, we lost a dear family member. And while it has been difficult processing the loss for myself, it has been more difficult for me to watch our boys process the loss — as I believe this is the first death that has really connected for them. Mortality and all that…
Understandably, I’m finding myself more introspective than usual, but with that comes a bit of listlessness. So, here we are. A few photos from the week. If I were to analyze the subjects, I’d say that I am pulling inward, getting close and focusing on the details. I’m OK with that.
All shots were taken in the back yard, but I can’t help but feel like I’m in another world.
W07: Retreat
This week was filled with a few significant ups and downs personally. I often find that retreating to nature is one of the best ways for me to gather my thoughts, renew my spirit and push on. In that way, this week was no different.
W05: Minimally Monochrome
Not much going on this week. My favorite four month stretch is here and the weather is changing. So, while I wait for the autumn colors to burst forth, let’s spend some time with some monochromatic photography.
